
<figure>
![🌅 🌸](https://padilla-media.s3.amazonaws.com/blog/art/sketches-2024-09-20.jpg)

<figcaption>_Blue Sky Thinking — [09/20/24](/sketches-2024-09-20)_</figcaption>
</figure>

I had a blast spending time [creating digital paintings](/blog/chris%20Learns%20Digital%20Painting) this year!

A couple of years ago, I was overcome with the desire to _really_ learn to draw. I made crude comics as a kid, but I was itching to really figure out how it's done. And so I did, and [I learned a lot about art and creativity from it](/lessonsfromdrawing2023)!

This year I turned my focus to the world of color and texture through digital painting. It was quite the leap! From single toned, line driven analog art making in a sketchbook — over to color and shape based painting through a digital medium.

Much of what I have to say this year is a revisiting of ideas I came across last year. Only this time the context has changed. A bit of a variation on a theme!

<figure>
![💡](https://padilla-media.s3.amazonaws.com/blog/art/sketches-2024-05-04.jpg)
<figcaption>_Still Life — [5/4/24](/sketches-2024-05-04)_</figcaption>
</figure>

## Changing the Way You See the World

> I also love to listen to skaters talk about how they see the world. Skateboarding seems to reconfigure your molecules and changes the way you look and the kind of attention you pay to the world. (Exactly what we hope for when practicing any art.)
>
> — [Austin Kleon](https://austinkleon.com/2022/11/07/drawing-at-the-skate-park/)

Drawing with line art, especially in a stylized way, involves a great deal of abstraction and reduction. I spent time simplifying a form to only a few strokes and basic shapes. It changed how I saw the world. But more in a way of capturing shorthand. I was looking for the simplified essence.

Learning to see color through painting had the _exact opposite effect_! When I started studying color and light as well as doing direct-painting still lifes, it's as if I was starting to see for the first time.

A pot is just "orange" until you take a closer look at the texture, the lighting, the chips and smudges across its surface. There's a humbling amount of color in everyday life that gets simplified and overlooked.

Miranda and I went to a couple of art museums this year. Paintings are already captivating when you're not an artist. They're then astonishingly rich and awe inspiring once you know the attention to detail that goes into them!

The process of painting is great fun. Though, my favorite takeaway from picking up the craft is now how I see the world. You won't believe how something as simple as looking into someone's eyes will bring out a world of beauty hiding in plain sight!

<figure>

![Sweet little Lucy loving on this pretty sky](https://padilla-media.s3.amazonaws.com/blog/art/sketches-2024-03-09.jpg)

<figcaption>_Pup at Twilight — [3/9/24](/sketches-2024-03-09)_</figcaption>

</figure>

## Balancing Projects with Play

After a few years, I've largely gotten better about balancing [play and study](https://drawabox.com/lesson/0/2). The boundary for me has become really clear since painting has been an entirely new medium requiring _lots_ of study, master copies, and reading up on how the brush engine works.

Even still — When I work on a digital painting project for myself, I'd call it play. But it's not entirely in that category. I realized something was missing.

It wasn't until I picked my physical sketchbook back up and started fooling around that things clicked into place. Unsurprisingly, having an analog, private, free space with no large end goal helped keep my spirit up when I returned to the digital canvas.

I've since deviated from needing a hard boundary, a la [the 50% rule](https://drawabox.com/lesson/0/2/50percent). These days my energy level is a good indicator of whether today is painting day or a fool around in the sketch book day.

If I were to package this up into advice: Be mindful of the project driven work, study, and time
spent fooling around.

Actually, that lines up nicely with Robertryan Cory's recommended routine for artists from [his CalArts lecture](https://www.facebook.com/media/set/?set=a.833375406677877): "Educational, Disciplinary, Experimental. Drawing should be divided into a sustainable work routine."

<figure>

![🌅 🌸](https://padilla-media.s3.amazonaws.com/blog/art/sketches-2023-09-24.jpg)

<figcaption>_An early swing at digital painting — [09/24/23](/sketches-2023-09-24)_</figcaption>

</figure>

## In Pursuit of Truth

In music, the major scale is derived from the harmonic series: a natural occurring phenomena that represents mathematical divisions of any given frequency. (For one of the best demonstrations of this, look no further than [the Bernstein Norton Lectures](https://www.youtube.com/watch?v=9HjEAtJXssc&ab_channel=LeonardBernstein).)

It's a major reason why tonal music is universal. It's what makes music a pursuit of Truth. [In Harmonic Experience](/bookshelf#HarmonicExperience), W. A. Mathieu walks readers through singing exercises where you experience the balance of these sounds firsthand. It's an eye opening journey.

I'm not as well-read on light as I am acoustics, but I know this much: colors themselves are different wavelengths of light. Violet is a short wavelength, red a long one.

It's one thing to know that intellectually. And a wholly other thing to experience it.

At some point, after working at a still life, spending an hour closely trying to match the color of a dull pot, I stepped outside. It was a clear day, mid afternoon. A rich blue sky, I observed. High in saturation today.

As my gaze came downward, I saw the leaves on the tree. And while it's hard to explain in writing — a resonance occurred. I started seeing the green of the leaves as a continuation of the blue in the sky. Not in an intellectual way, but on something much more deep and personal.

In the same way that each tone of music contains a multitude of different sounds, I made the connection that light was working in that same way. Obvious to some, I'm sure, but a revelation to me.

There are plenty of reasons to paint. Maybe one of the most worthwhile, though, is that — just like studying sound — you spend time with another Truth in the world. This time, through color and light.

<figure>
![🌳🌳🌳](https://padilla-media.s3.amazonaws.com/blog/art/sketches-2024-07-06.jpg)

<figcaption>_Campion Trail – [07/06/24](/sketches-2024-07-06)_</figcaption>
</figure>


Lessons From a Year of Painting



I came across Maggie Appleton's tremendous post ["A Brief History & Ethos of the Digital Garden"](https://maggieappleton.com/garden-history)! 

I've heard of the publishing philosophy in passing and found the term itself to resonate. A counter to high-production, corporate leaning purposes for owning a domain name, a digital garden assumes work in progress, a broad spectrum of topics and interests, and an ever evolving space online where ideas and things of beauty can blossom. _Lovely!_

There are a few patterns that show up with folks that have taken on the spirit of digital gardening. One that caught my eye was "Topography over Timelines." 

> Gardens are organized around contextual relationships and associative links; the concepts and themes within each note determine how it's connected to others.
> 
> This runs counter to the time-based structure of traditional blogs: posts presented in reverse chronological order based on publication date.
> 
> Gardens don't consider publication dates the most important detail of a piece of writing. Dates might be included on posts, but they aren't the structural basis of how you navigate around the garden. Posts are connected to other by posts through related themes, topics, and shared context.
> 
> One of the best ways to do this is **through Bi-Directional Links** – links that make both the destination page and the source page visible to the reader. This makes it easy to move between related content.
> 
> Because garden notes are densely linked, a garden explorer can enter at any location and follow any trail they link through the content, rather than being dumped into a "most recent” feed.


_Love it!_ My favorite discoveries are with sites that link well. It's a blast hopping around, continuing the conversation from page to page. Wikis are the prime example of this. Tough, some bloggers like [Austin Kleon](https://austinkleon.com/) also do this particularly well.

So! Why only be bound by linking in one chronological direction? I took to the idea and whipped up a script to employ this myself!

## Developing Bi-Directional Linking

[This site uses markdown](/parsemd) for posts. So doing this job is largely about text parsing. Much of the logic, in fact, is similar to [how I parse my posts to display an art grid](/artgrid).


I'll start by writing the function to actually get the url value from my links. The regex is looking for the value with parenthesis in the typical markdown shorthand for links: `![alt text](link)`

```JavaScript
// api.js

export const getInternalLinksFromMarkdown = (md) => {
  const regex =
    /(?:__|[*#])|\[(.*?)\]\(\/(.*?)\)/g;
  return Array.from(md.matchAll(regex)).map((res) => {
    if (res && res.length > 1) {
      return res[2];
    }
  });
};

```

The value of index 2 of the array will give me the capture group I've targeted because that's [how it's done in Node](/noderegex)!

From here, I'll then pass in my posts and systematically generate an object that grabs both the targeted url as well as the current post url.

```JavaScript
// api.js

export function getAllPostRefs(
  fields = ['content', 'slug', 'title'],
  options = {}
) {
  const slugs = getPostSlugs();
  let posts = slugs
    .map((slug) => getPostBySlug(slug, fields))
    // Filter false values (.DS_STORE)
    .filter((post) => post)
    // sort posts by date in descending order
    .sort((post1, post2) => (post1.date > post2.date ? -1 : 1));

  const links = {}
  posts.forEach((post) => {
    const postLinks = getInternalLinksFromMarkdown(post.content);
    postLinks.forEach((src) => {
      if (src && !src.includes('/')) {
        if (!links[src]) {
          links[src] = [];
        }
        if (!links[src].find(entry => entry.slug === post.slug))
        links[src].push({
          slug: post.slug,
          title: post.title,
        })
      }
    });
  })

  return links;
}

```

A Set data structure would be ideal for keeping duplicates out of the list, but we'll be converting this to JSON, and I'd rather avoid the hassle of bringing in a library for the conversion.

Finally, I'll call this function and save the results to a JSON file for refference.

```JavaScript
biDirectionalLink.js

import { getAllPostRefs } from "./api"
const FileSystem = require("fs");

export const getRefs = () => {
	const links = getAllPostRefs();
	FileSystem.writeFile('_cache/backlinks.json', JSON.stringify(links), (error) => {
    if (error) throw error;
  });
}

```

Here's an snippet of what it generates:

```
{
	"30": [
		{
			"slug": "2022",
			"title": "2022"
		},
		{
			"slug": "iwataonpeople",
			"title": "Iwata on Creative People"
		},
		{
			"slug": "transcience",
			"title": "Transience"
		},
		{
			"slug": "web2000",
			"title": "A Love Letter to 2000s Websites"
		}
	],
	"2022": [
		{
			"slug": "testingandwriting",
			"title": "Testing Software for the Same Reason You Write Notes"
		}
	],
	
	...
}
```

Voilà! Now I have the data of pages that are referenced. I can now call this method anytime the site regenerates and use this as the source of truth for back-linking.

To consume this in Next.js, I'm going to read the file in `getStaticProps` (or in an RSC if I were using the App Router)

```
// [slug].js

export async function getStaticProps({ params }) {
  if (post) {
    const file = await fs.readFile(process.cwd() + '/_cache/backlinks.json', 'utf8');
    const backlinks = JSON.parse(file);
    let pagesLinkingBackTo = null;

    if (backlinks[params.slug]) {
      pagesLinkingBackTo = backlinks[params.slug];
    }
```

And, following some prop drilling, I can now programmatically display these on matching pages:

```
// backLinkSection.js

import React from 'react';
import NextLink from './NextLink';

const BacklinksSection = ({pagesLinkingBackTo}) => {
	if (!pagesLinkingBackTo) return <></>
	return (
		<aside>
			<h4>
				Pages referencing this post:
				<ul>

				{pagesLinkingBackTo.map(link => (
					<li><NextLink href={link.slug}>{link.title}</NextLink> </li>
				))}
				</ul>
			</h4>
		</aside>
	);
};

export default BacklinksSection;
```

Assuming I haven't link to this page yet, you can see this in action at the bottom of my [Parsing Mardkown in Node](/parsemd) post. Now with handy links to click and explore related topics.

I'm excited to keep tending the garden! I've already seen themes emerge through the regular tags I use. Here's to a great harvest someday!

Generating Back Links For Optimal Digital Gardening

Jimmy Van Heusen – Polka Dots and Moonbeams


![🌱](https://padilla-media.s3.amazonaws.com/blog/art/pratchettonenglishgardens.jpg)

I revisited a passage from Sir Terry Pratchett's ["A Slip of the Keyboard."](https://www.terrypratchettbooks.com/books/a-slip-of-the-keyboard/) The essay "Magic Kingdoms" illustrates the English dedication to maintaining a garden in any environment. Pratchett uses this as an exemplification for how the garden is a portal to another world, and a widespread fascination with planting a garden is why fantasy is part of the fabric of the culture. 

> I remember a back garden I used to see from the train. It was a very small garden for a very small house, and it was sandwiched between the thundering railway line, a billboard, and a near-derelict factory.
> 
> I don't know what a Frenchman or an Italian would have made of it. A terrace, probably, with a few potted plants and some trellis to conceal the worst of postindustrial squalor. But this was an Englishman's garden, so he'd set out to grow, if not Jerusalem, then at least Jerusalem artichokes. There was a rockery, made of carefully placed concrete lumps (the concrete lump rockery is a great British contribution to horticulture, and I hope one is preserved in some outdoor museum somewhere) There was a pond; the fish probably had to get out to turn around. There were roses. There was a tiny greenhouse made of old window frames nailed together (another great British invention). Never was an area so thoroughly gardened, in fact, as that patch of cat infested soil. 
> 
> No attempt had been made to screen off the dark satanic mills, unless the runner beans counted. To the gardener, in the garden, they did not exist. They were in another world. 

For me there's another comfort in the scene. Even if we're not nurturing plants, we all have the means to cultivate our own creative gardens. A sketchbook, journal, blog, a song. And it doesn't matter how humble! A jar of soil and basil goes a long way for bringing life to a space. So it is with strumming strings and moving the pencil.



Pratchett on English Gardens


That equation feels right.

This comes from the legendary Disney animator and teacher Walt Stanchfield (A lead character animator for the Aristocats, to name one.) I've written before about how Walt Describes [the curious act of performing with no audience](/stanchfield). This equation come in context from [his handouts for gesture drawing](https://ia601302.us.archive.org/15/items/Gesture_Drawing_for_Animation/Gesture_Drawing_for_Animation.pdf):

(Here, Walt is talking about the benefits of staying healthy enough to have the energy to create, another juicy point)

> You must create. The injunction of life is to create or perish. Good physical and mental
> conditioning are necessary to do this. Remember this: the creative energy that created the
> Universe, created you and its creative power is in you now, motivating you, urging you on -
> always in the direction of creative expression. I have a formula: "Impression minus expression
> equals depression". This is especially applicable to artists. We have trained ourselves to be
> impressed (aware) of all the things around us, and in the natural course of our lives those
> impressions cry out to be expressed - on paper, on canvas, in music, in poetry, in an
> animated film. So shape up.

Ain't that the truth?

It's still worth the reminder. When you do professionally creative work (like animation or software!) you are still constantly taking in the world and are falling in love with all sorts of things - books, music, stories, and technologies.

The best way to express that love is through getting down to business and making something.


Impression Minus Expression Equals Depression


I don't always find the inspiration I'm looking for from the bios and stories of full time artists. Those select few who can spend most of their week in the studio. Winston Churchill, who was surprisingly an enthusiastic, self proclaimed hobby painter, can speak much more clearly to the situation of having to find time to be creative in the nooks and crannies of the day.

![And a surprisingly sensitive painter, at that!!](https://padilla-media.s3.amazonaws.com/blog/images/churchillpainting_Large.jpg)

I've been rattling in my mind all the different reasons I like drawing/piano/guitar/writing music/blogging, and why someone else might like to do them too.

To Churchill, it was no contest comparing painting to more typical leisure activities:

> Even at the advanced age of Forty! It would be a sad pity to shuffle or scramble along through one's playtime with golf and bridge, pottering, loitering, shifting from one heel to the other, wondering what on earth to do – as perhaps is the fate of some unhappy beings – when all the while, if you only knew, there is close at hand a wonderful new world of thought and craft, a sunlit garden gleaming with light and colour of which you have the key in your waistcoat pocket. Inexpensive independence, a mobile and perennial pleasure apparatus, new mental food and exercise, the old harmonies and symmetries in an entirely different language, an added interest to every common scene, an occupation for every idle hour, an unceasing voyage of entrancing discovery – these are high prizes.

A particularly sobering passage acknowledges that, as a hobbyist, you won't reach the same great heights of technique as the life-long, full time painters. It's a problem I find myself wrestling with frequently, but Churchill brings it up so matter-of-factly and without much concern:

> But if, on the contrary, you are inclined – late in life though it be – to reconnoitre a foreign sphere of limitless extent, then be persuaded that the first quality that is needed is Audacity. There really is no time for the deliberate approach. Two years of drawing-lessons, three years of copying woodcuts, five years of plaster casts – these are for the young. They have enough time to bear. And this thorough grounding is for those who, hearing the call in the morning of their days, are able to make painting their paramount lifelong vocation. The truth and beauty of line and form which by the slightest touch or twist of the brush a real artist imparts to every feature of his design must be founded on long, hard, persevering apprenticeship and a practice so habitual that it has become instinctive. We must not be too ambitious. We cannot aspire to masterpieces. We may content ourselves with a joy ride in a paintbox. And for this Audacity is the only ticket.

![These trees ❤️](https://padilla-media.s3.amazonaws.com/blog/images/winston-churchill-art-collection-pr-0518-1600x800.jpg)

It's still worth the pursuit all the same. The rewards for that Audacity are many:

> I have written in this way to show how varied are the delights which may be gained by those who enter hopefully and thoughtfully upon the pathway of painting; how enriched they will be in their daily vision, how fortified in their independence, how happy in their leisure. Whether you feel that your soul is pleased by the conceptions or contemplation of harmonies, or that your mind is stimulated by the aspect of magnificent problems, or whether you are content to find fun in trying to observe and depict the jolly things you see, the vistas of possibility are limited only by the shortness of life. Every day you may make progress. Every step may be fruitful. Yet there will stretch out before you an ever-lengthening, ever-ascending, ever-improving path. You know you will never get to the end of the journey. But this, so far from discouraging, only adds to the joy and glory of the climb.

So beautifully said. It all rings true for me:

- Playing with shapes and sound, their interaction with one another, is fun unto itself
- Creation is largely puzzle solving. Even playing piano is a finger puzzle
- There's no better way to express love for the world than to try to recapture it as you see it
- Progress, itself, is a joy! Learning an instrument more intimately or refining a line stroke, they all lead to small victories
- There are infinite paths to explore. None right or wrong, only guided by your curiosity and interest

And why wait? The time to plant a garden is now:

> Try it, then, before it is too late and before you mock at me. Try it while there is time to overcome the preliminary difficulties. Learn enough of the language in your prime to open this new literature to your age. Plant a garden in which you can sit when digging days are done. It may be only a small garden, but you will see it grow. Year by year it will bloom and ripen. Year by year it will be better cultivated. The weeds will be cast out. The fruit-trees will be pruned and trained. The flowers will bloom in more beautiful combinations. There will be sunshine there even in the winter-time, and cool shade, and the play of shadow on the pathway in the shining days of June.

While the earlier, the better for overcoming the initial hurdle of learning the vocabulary, it's never too late. Thankfully, the barrier to entry is not technique or years of experience. Just Audacity!

![☁️](https://padilla-media.s3.amazonaws.com/blog/images/churchillpainting.jpg)


Winston Churchill on Painting as a Pastime

Phone Lines

Goose Creek

Hike

Cloud Covered Mountains

Cycling

You sense the opening...

You've traversed to this space several times now.
Instead of becoming more familiar, it's only deepened in mystery.
It's in equal parts awe and curiosity that you decide...
to step into the realm.

---

Getting lost in the atmosphere of Liquid Drum and Bass... 💎🌊

Largely inspired by Seba, as well as Tayla, LTJ Bukem, and Wax Doctor.

🔮 Visit Amethyst (Interactive Short Story)

Amethyst

Rosewood

⋆.˚🐠‧₊ _Frutiger Aero inspired music!_ ˚✩ ₊˚🫧⊹♡

Late 2000s tech had a unique vibrancy that made it feel almost magical. A new wave of color and light, glowing portals that illuminated worlds imagined and real. It was truly alive, how you interacted with it was so novel. More intuitive than ever before.

The anticipation for this promised future was at it's strongest as you began to load up that new system you brought home. Powering it on. Walking through the startup process. Being greeted to something wholly new...

SkyBox

Installation

Mostly Sunny

Cool guitar driven music for hot summer days.

Largely inspired by the great Masayoshi Takanaka.

Snow Cones

Watermelon

Raspberry

Video Game inspired Drum and Bass! Influenced by Soichi Terada and Jun Chikuma.

Space Cowboy Forrest Frog pilots his galaxy F-5 aircraft in search of the Hyper Fragment — a now rare material used to power warp speed travel. A group called the Black Hole Herons has aggressively taken control over the mines in the Lake Lenticular Galaxy, and there's only one gunman for the job!

Space Frog 64

Lily Pad Sector

Hyper Fragment


![Dusk view of the mountains from the trail.](https://padilla-media.s3.amazonaws.com/blog/art/WesternRailway.png)

A farewell to Boulder 👋


Western Railway

New Album – Phone Lines 📞 🎶 🐦


Sending an asynchronous job off to a worker to handle a background task can lighten the load of a main application, but it takes careful consideration around how to ensure we aren't then seeing duplicate results. This is the idea around a portion of a system being idempotent. Here's how I navigated this in my own work this week:

## Email

Say that I'm building an email sending service. There are a few components:

- Client app that first sends an email from a template page (which is aware that this should only be sent once.)
- An application layer that receives the request, then adds it to...
- A queue, which waits for an available worker before passing off the email message
- Email Sender Worker, which actually formats and sends the email.

Ideally, our Client app has some logic that already prevents multiple sends from, say, multiple clicks of the send button. What about an edge case where there was a network failure after a successful send, the user gets UI saying there was an issue, and resends the request?

Our backend system needs to be able to detect that a duplicate request is coming in and should not process it.

## Solutions

Saving a unique request ID is the answer. Depending on where we want our idempotency check to occur, we can generate an ID, check against persistent state to see if we have already received that ID, and then decide to either pass it through if it's new or discard it if not.

A few options present themselves in our example. The client could perhaps be responsible for generating and checking the existence of a request ID. However, if there is an interruption on the client, we could potentially lose this ID.

A more consistent angle would be saving the ID with unique fields in persistent storage. A DB table could contain fields for the `requestID`, `requestStatus`, the `userID`, and `templateType`, allowing us to look up a document based on the `userID` and `templateType` to verify if this email has already been sent previously.

```
// Worker

export const emailHandler = async (event: EmailHandlerEvent): Promise<void> => {
  const {emailRequestID, recipient, subject, body} = event;

  // Idempotency check: Already done?
  const existing = await emailRequestStore.findByRequestID(emailRequestID);
  if (existing?.status === "completed") return;

  // Send and mark complete
  const {messageId} = await sendEmail({recipient, subject, body});
  await emailRequestStore.markCompleted(emailRequestID, messageId);
};
```

This serves an additional purpose: If the application is successful in sending the first request, then it receives confirmation that it succeeded back, but fails to notify the client due to a network failure, then the user receives UI to try to send the request through again.

In this case, with a dedicated store for the state of our request, our worker could mark the email send as complete, and on the subsequent client request, the application layer could run its idempotency check — see that there has already been a request, and additionally that it's completed, and simply return a `200` back to the client, noting that the email send was successful.

```
// Application Layer

export const sendEmailRequest = async (input: SendEmailInput): Promise<SendEmailResponse> => {
  const {userID, templateType, ...emailData} = input;

  // Idempotency check: Has this user already requested this email type?
  const existing = await emailRequestStore.findByUserAndTemplate(userID, templateType);

  if (existing?.status === "completed") {
      return {requestID: existing.requestID, status: "completed", alreadySent: true};
  }

  if (existing?.status === "processing") {
      return {requestID: existing.requestID, status: "processing", alreadySent: false};
  }

  // Create request, invoke worker, return
  const requestID = uuidv7();
  await emailRequestStore.create({requestID, userID, templateType, status: "pending"});
  await invokeLambda("email-handler", {emailRequestID: requestID, ...input});
  await emailRequestStore.updateStatus(requestID, "processing");

  return {requestID, status: "processing", alreadySent: false};
};
```

Voilà!


Idempotency and Workers


If I have a theme for this chapter, it's roots. Focusing on fundamentals in my practices. Making a move to a city that's very deeply home. And really taking time with my longest, most sincere relationships.

## Houston, TX

Packing up to move to Houston in the coming weeks as of writing this! Boulder has been a lovely sabbatical, I'll miss the mountains, the snow, and several fast friends. But! I realized on a recent plane trip back to my hometown — the moment the humidity oozed into the cabin — that this was home!

## Software

AI assisted development is in full swing across the industry! I appreciate the productivity gains and enjoy the opportunity to think at a higher level more frequently than I previously did in my work. Though, there is something missed when the craft moves several layers of abstraction up. I'm certainly of two minds about it.

With that shift well underway, I'm making dedicated time to more thoroughly studying principles and case studies around system design. If you have any recommendations, [send them my way](/contact)!

Still figuring it all out. You can watch me try by keeping up with my tech articles through [the tech tag on my blog](/blog/tech).

## Music

<figure>

![Phone Lines Album Cover](https://padilla-media.s3.amazonaws.com/albums/covers/phone-lines.png)

<figcaption>[Phone Lines](/phonelines)</figcaption>
</figure>

~~Something is in the works! Nearly done, and excited to share soon.~~

~~Here's one of the major inspirations until then — early Japanese Shibuya-Kei group Capsule's [Cutie Cinema Replay](https://www.youtube.com/watch?v=2S-0tesGdGY)!~~

Phone Lines is out now! My first couple of tunes after an big break. Kitschy goodness, this was fun to work on. Hope you enjoy!

Or, you can listen to my own [oldies-but-goodies](/music). I'm still listening to tons of Frutiger Aero, so might I suggest [SkyBox](/sky-box)?

## Art

<figure>

![Lucy looks longingly off at mini mountains](https://padilla-media.s3.amazonaws.com/blog/art/littlemountainpark.png)

<figcaption>[Little Mountain Park](/littlemountainpark)</figcaption>
</figure>

Going somewhat underground here to establish deeper roots. I had a pretty steady cadence for a while of a piece completed a week. But my chops need developing, and my mind needs to wander! So I'm switching to sketchbooks and saving studies on the hard drive alone. I'm sure pieces will still float to the surface, all the same.

You can see what I've made through [the Art tag on my blog](/blog/art).

## Blogging

I don't think I can help myself from doing it, so anticipate more writings on creative practices, software, music, and amateur film criticism. Join the whimsy!

You can see the blog's year-in-review [over yonder](/2025).

As synthetic data and words begin to increase it's portion in our collective daily diet, I still find oasis in the words, music, art, and general creativity of others. Thank you for putting your humanity out there if you do!

These words were hammered out with my digits on a keyboard to be viewed directly by your own physical inputs. If you took the time to do that, even just for a moment, you are sincerely appreciated.

So thanks for stopping by!

## 👋


The Haps - January 2026


![Lucy looks longingly off at mini mountains](https://padilla-media.s3.amazonaws.com/blog/art/littlemountainpark.png)

There's this park near our new place that has these miniature mountains for the dogs to climb. Lucy loves them!


Little Mountain Park


The change in spirit of the web and even open source itself is well encapsulated in a comparison between [the 1998 version](http://web.archive.org/web/19981212031619/http://www.opensource.org/) and [the 2026 version](https://opensource.org/) of opensource.org. One dressed up and attending galas, and one handing out zines.

Perhaps one of the primary reasons for its success over the free software movement is in the marketing. From [the Case for Open Source: Hacker's Version](http://web.archive.org/web/19991013094510/http://opensource.org/for-hackers.html):

> Mainstream corporate CEOs and CTOs will never buy 'free software', manifestos and clenched fists and all. But if we take the very same tradition, the same people, and the same free-software licenses and change the label to 'open source' - that, they'll buy.

One of the chief objections to using open source and free software during this time was around reliability. The case is made by Eric S. Raymond on the '98 page with a very period-appropriate angle:

> Of all these benefits, the most fundamental is increased reliability. And if that's too abstract for you, you should think about how closed sources make the Year 2000 problem worse and why they might very well kill your business.

The several other case pages are fun to flip through since, of course, as it turns out, Eric was right.


Hey, I'm Chris!

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